Let’s get metaphysical! Existentialist cinema is back, if anyone cares

François Ozon's new adaptation of Albert Camus' The Stranger premiered recently, revitalizing existentialist themes in cinema. The film features newcomer Benjamin Voisin as Meursault, presenting a hard-edged interpretation of the character's nonconformism. As discussions about the relevance of existentialism resurface, Ozon’s version may offer contemporary insights into colonial power dynamics and individual meaning.

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Summary by Glance · Original reporting by The Guardian Australia